Wampyrinacht Athens, Greece
Wampyrinacht is a Sinister Okkult Metal horde from Athens, established in 1995 and ever since dedicated to the old school sound and underground spirit of the ‘90s, and the darkness within and beyond the human psyche.
If you like Wampyrinacht, you may also like:
Wampyrinacht - Night of the Desecration
by Iron Bonehead Productions
supported by 18 fans who also own “Faust (Opera der Satanpakts)”
An unexpected sound from the Greek scene, closer to first album of Cradle of Filth than Rotting Christ, but shit.... if an album sounds as good as this, i am surely not complaining!!
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supported by 15 fans who also own “Faust (Opera der Satanpakts)”
Exciting! I was told this was like medieaval Darkthrone, but it's more than that. As colourful as the cover artwork, old school, wild and fresh. Tolling bells, untamed guitars and a hoarse, expressive voice create a unique sound, snarling, melancholy and lively all at once. Sinister fun, it'll make you want to move - unusual for a black metal album. Probably one of the best I've ever listened to. I don't get tired of it.
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supported by 15 fans who also own “Faust (Opera der Satanpakts)”
I came accross Black Curse, and their first demo, on Greg Biehl / No Gleaming Light YT channel in late 2019 and a bit later, in 2020, as it was covid, a whole lot of time was spent at home listening to music. In April 2020, I took a slap in my face. The songs that were already on the demo, with the new production here were so insane, it dragged me to hell. Black Curse is definitely one of the most violent band I listened in the last years. Next-level Black-Death metal for sure !
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The Secret Last Syllable
by Synteleia
featured on Bandcamp Radio May 13, 2022
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Of The Sign...
by SPIRIT POSSESSION
featured on Bandcamp Radio Mar 31, 2023
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Immortal Initiation
by Pandiscordian Necrogenesis
featured on Bandcamp Radio Feb 5, 2021
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supported by 15 fans who also own “Faust (Opera der Satanpakts)”
De l'importance du titre ou Comment une juxtaposition de mots savamment choisis permettra à l'auditeur attentif de repérer chez Old Nick une transition vers un cadre spatio-temporel plus proche de l'ère victorienne gothique, confirmée par les clavecins et cuivres au synthé, mais aussi de parodier le contexte susmentionné, parodie amplifiée par un raw black metal chaotique : un essai au sujet de T.N.O.T.A.A.T.P.B.T.Q.A.S.F.A.B.O.O.T.D.O.S.S.T.T.E.V.H.S mené par Sir Jordan Vauvert en l'an 2024.
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